What is the New London Theatre now called?
The Gillian Lynne Theatre (formerly New London Theatre) is a West End theatre located on the corner of Drury Lane and Parker Street in Covent Garden, in the London Borough of Camden.
Where was the first performance of cats?
Hire the Gillian Lynne Theatre Home to a 1300-seat auditorium, relatively intimate by West End standards but still comfortably capable of hosting large conferences and launches, the Gillian Lynne Theatre offers a truly unique space.
How did Gillian Lynne die?
Cats premiered at the New London Theatre in the West End on 11 May 1981. It closed on 11 May 2002 after 8,949 performances. It opened on Broadway on 7 October 1982 at the Winter Garden Theatre.
How many seats are in the Gillian Lynne Theatre?
What is a Jellicle? I’m scared. Easy: A Jellicle is a cat. Specifically, a scruffy type of cat that was first introduced in T. S. Eliot’s Old Possum’s Book of Practical Cats (a book of poetry originally published in 1939 that inspired the musical).
Why is Grizabella shunned?
Grizabella is a lonely old cat who has been shunned by the other Jellicle Cats, possibly because she is implied to be a sex worker, which is bad praxis on the part of the Jellicles. Grizabella is probably the most coveted and well-known role in the play, and is usually played by a celebrity or respected Broadway dame.
What’s the point of CATS the musical?
The show basically involves a feline competition to decide which cat will be “reborn” to go the “Heaviside Layer,” otherwise known as cat heaven. Andrew Lloyd Webber, Elaine Paige, and Paul Nicholas at the opening night party for Cats in 1981. In 2016, Cats came back to Broadway.
Who is Gillian Lynne?
Dame Gillian Barbara Lynne, DBE (née Pyrke; 20 February 1926 – 1 July 2018) was an English ballerina, dancer, choreographer, actress, and theatre-television director, noted for her theatre choreography associated with two of the longest-running shows in Broadway history, Cats and The Phantom of the Opera.
Who wrote music for cats?
She worked with top figures such as Frederick Ashton and Ninette de Valois and acknowledged the influence of Robert Helpmann who, as actor, dancer and choreographer, had an extraordinary theatrical flair.